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Sketching & Creation: Zhu Danian Art Exhibition

Exhibition Info
Exhibition Period    16 November 2021 – 20 March 2022
Exhibition Venue    Third Floor Exhibition Hall
General Planners    Lu Xiaobo Du Pengfei
Academic Director    Su Dan
Curator    Du Dakai
Project Coordinators    Wang Chenya Sun Yiwei
Curatorial Assistant    Zhao Chen
Visual Supervisior    Wang Peng
Visual Designer    Yang Hui
Exhibition Designer    Liu Huijian
Exhibition Team    Liu Huijian Sun Yiwei Gao Ning Li Anji
Publicity Team    Li Zhe Liu Yaomeng Zhou Xinxin Xiao Fei
Organizers    Tsinghua University Art Museum Academy of Arts & Design, Tsinghua University
Acknowledgements    Zhu Danian's family
Exhibition Profile

Traditional Chinese painting relies more on observation, memorization, and inspiration rather than on sketching on site. Nature sketching was introduced into China from the West at a time when modern Chinese artists turned to pursue realism in artistic creation. Such historical choice has made nature sketching a widely accepted method in Chinese art. This exhibition adopts a novel design by juxtaposing Mr. Zhu's nature sketches with his artworks based on preparatory sketches. This arrangement reveals the relationship between nature sketching and creation, and at the same time, sheds light on Mr. Zhu's unique way of creation.

Works on show

  • Kuimen Gate,
    1973,
    Meticulous painting in heavy colors

  • Along the Luosuo River,
    1983,
    Meticulous painting in heavy colors

  • The Coast in Qingdao,
    1980s,
    Meticulous painting in heavy colors

  • Autumn in Li Village,
    1970s,
    Meticulous painting in heavy colors

  • Scenery in Shidu Park,
    1974,
    Meticulous painting in heavy colors

  • The Scenery of Lao Mountain, 1970s, Meticulous painting in heavy colors

  • Root,
    1983,
    Meticulous painting in heavy colors

  • Gardens of Suzhou,
    1973,
    Oil on Canvas

Exhibition Space

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