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Utensils and Ornaments Endlessly Fine:National Treasures from Afghanistan at the Cultural Crossroads of East and West

Exhibition Info
Exhibition Period18 April 2019 – 23 June 2019
Exhibition VenueThird Floor, Tsinghua University Art Museum
Special-exhibition ticket   60 RMB per person
Chief CuratorDu Pengfei
CuratorTan Shengguang
Sectional CuratorsGuo Wu Shao Xuecheng
Academic supportAkira Miyaji Lin Meicun Julio Bendezu-Sarmiento Philippe Marquis Tang Zihua Zhang Wenling Jia Yan
Exhibition Coordination   Chen Jianzhong Li Tiankai Liu Zhenhua
Curatorial Assistants Shao-LanHertel Gao Ning Jiang Ruixia Li Hu
Exhibition DesignWang Jiansong Li Ming Cao Lin
Exhibition TeamWang Chenya Ni Jia Wang Zhao Lan Yu Hong Wei
Visual DesignYuan Song Chen Yuyang Gao Dewei Liu Jiayu Qin Kun Zhang Liwei
Visual DesignWang Peng Yang Hui
Host OrganizationsMinistry of Culture and Tourism of The People's Republic of China
National Cultural Heritage Administration of China
Ministry of Information and Culture of Afghanistan
Co-HostsTsinghua University Art Museum
National Museum of Afghanistan
Art Exhibitions China
Co-organizersChinese Friendship International Art Exchange Institute
Beijing Jianzhong Cultural Communication Co. LTD
SupportsChinese People's Association for Friendship with Foreign Countries
Embassy of the People's Republic of China In the Islamic Republic of Afghanistan
Embassy of the Islamic Republic of Afghanistan In the People's Republic of China
Special ThanksCapital Museum China
Beijing Museum of Art
Hua Xie International Fine Art Freight Services Co. LTD
Shanghai Painting and Calligraphy Press
Exhibition Profile

The over 230 Afghan treasures showcased in this exhibition are divided into units according to the four archaeological excavation sites of Tepe Fullol, the ancient city ruins of Ai Khanoum, Tillya Tepe, and the ancient city ruins of Begram, respectively. Their exhibition is further differentiated according to the four periods of the Bronze Age, the age of Hellenism, the period between the invasion of the Yuezhi and the establishment of the Kushan Empire, and the age of the Kushan Empire, respectively. The invaluable cultural heritage of these four historical periods attests to the multicultural confluence of and communication between ancient civilizations. The exhibits were all unearthed prior to the 1979 invasion of the Soviet Union into Afghanistan, and because they were kept hidden in the secret vaults of the Afghanistan Central Bank during the time of war, they were able to survive, and were uncovered again in 2003. Since October 2006, more than twenty museums in France, Italy, the Netherlands, the United States, Canada, Germany, the United Kingdom, Australia, Japan, South Korea, and other countries have successively exhibited these treasures in turn. Since March 2017, their traveling exhibition has been touring China. From April to June 2019, the treasures are exhibited at Tsinghua University Art Museum under the theme “Utensils and Ornaments Endlessly Fine.” This theme is taken from the Chinese classical “Tale of King Mu, Son of Heaven,” in which the travels of King Mu of Zhou (ca. 1054–949 BCE) towards the west are recorded. During his travels, he met upon Xiwangmu, the Queen Mother of the West, and further came face to face with rare and unusual western treasures––describing these as “utensils and ornaments endlessly fine.”

Works on show

  • A pair of pendants showing the“Dragon Master”
    2nd h. 1st c. AD

  • Crown
    2nd h. 1st c. AD

  • Ornament for the neck of a robe
    2nd h. 1st c. AD

  • A pair of clasps showing Dionysus and Ariadne
    2nd h. 1st c. AD

  • Ceremonial plate with a representation of Cybele and Nike
    3rd century BC

  • Corinthian capital
    Before 145 BC

  • A Woman standing on a Makara
    1st c. AD

  • Circular medallion
    1st c. AD

Exhibition Space

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