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White and All: China Dehua Ceramics Exhibition

Exhibition Info
Exhibition Period     16 July 2025 – 31 Augest 2025
Exhibition Venue     Exhibition Hall 14, 4th Floor, TAM
Curator     Yang Fan
Academic Support     An Cong Chen Lifang Chen Yanshu Fu Binjie Han Na Qiu Gengyu Zhang Xing
     Zheng Jiongxing
Curatorial Assistant     Jin Sizhao
Exhibition Coordinators     Zeng Xiansheng Lai Shiyuan Liao Fuping
Exhibition Design     Zhou Hanxiang Xu Houqian Zhou Tao Li Yueqi Jin Mili
Exhibition Implementation     Chen Lifang Zhu Jingshan Liao Fuping Zhang Qi Zhou Hanxiang Jing Bohui Kong Delin
     Gui Xiaofeng Wu Xianquan Wang Fang Li Jie
English Translation     Bai Shenhao Xu Xiaofan
Exhibition Coordination     Wang Chenya Lan Yu Ge Xiuzhi
Design Coordination     Wang Peng Liu Huijian
Publicity and Promotion     Liu Yaomeng Zhou Xinxin Xiao Fei Peng Yu Shi Xiaoyan
Public Education     Zhang Ming Zhou Ying Wang Wenhui Zhang Ruiqi
Organizer     Dehua County People's Government
Co-organizers     The Ceramics Development Committee Office of Dehua County, Fujian Province
     Dehua Pottery and Porcelain Museum
Supported by     Tsinghua University Art Museum
Acknowledgment     Li Jinfeng
Exhibition Profile

The “White and All: China Dehua Ceramics Exhibition” is organized by the People's Government of Dehua County and the Tsinghua University Art Museum, with more than 90 pieces of works in one exhibition. Let our eyes trace back to more than three thousand seven hundred years ago, to the primitive glaze, as if we can still hear the ancestors in the labor outside, hit the rhythm of the body and echo; to the time of the Song, Yuan, Ming and Qing dynasties, the white porcelain daily-use objects gradually matured, reflecting daily aesthetics and rituals of the ancestors at home and abroad. The second unit “Blanc de Chine.” collects shipwrecked porcelain and works of masters from the Ming and Qing Dynasties and the Republic of China. With the white form reflecting the divine realm, Dehua ceramics brings the warm, tolerant, and subtle Oriental aesthetics to the world. The third unit, “White and All”, presents how Dehua ceramics have moved from the realm of ceremonial and daily use into the realm of diplomatic expression and national image construction, and become an important carrier of Chinese cultural output. Dehua ceramics have been around since ancient times and have never stopped, but are continuing, growing and shining in the palms of the new generation of creators.

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